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     I grew up in suburban Chicago, and one of my stronger memories, especially on summer days, was hearing the clattering of a manual typewriter. When our Frisbee sailed over the bushes, I could see my neighbor, a writer, at work at his typewriter in the basement, through the artificial stained glass decals on the window. I recall he wore socks with sandals, listened to classical music, and smoked a pipe. I try to avoid that precise profile, but otherwise have fallen into line. I combine journalism and cultural analysis in my approach to historical topics, relying on my training in creative writing, American studies, and background in journalism.

     I write about the impact of science and technology on pop culture. With funding from the Alfred P. Sloan Foundation, I am now completing a nonfiction book about the history of the spacefaring dream from Konstantin Tsiolkovsky in the late nineteenth century to Elon Musk. I recently served as a consultant on a proposed museum exhibit at the Skirball Cultural Center to examine the multicultural impact of science fiction.

     Topics I've covered include the exploits of golden age science fiction editor Ray Palmer--later immortalized as the alter ego for comic book hero The Atom; early mesmerists and their purported diabolical powers; the Amazing Zancigs, mind-readers extraordinaire; Joseph B. Rhine, the founder of the parapsychology lab at Duke University; Allen Funt, the madcap genius behind "Candid Camera"; and the history of amusement park rides. In addition to my books and scholarly articles, I have published humor and fiction in the Atlantic and other magazines, and received a Pushcart Prize nomination. I recently placed a story in Lady Churchill's Rosebud Wristlet, #40. A past fellow at the Smithsonian, I am currently at large in California. When not writing, I might be found playing clarinet with local klezmer, Balkan, and trad jazz groups in Santa Barbara.